Some ICU Reviews:

The Riverside, Newcastle (From "Melody Maker" I think.. could have been "Sounds")

QUESTION: WHAT EVER happened to Nik Turner, the man who put the wind into Hawkwind?

Answer: Nothing! The psychedelic sax supreme is still alive and kicking and with the present incarnation of the Unit offering a two-hour (if you can last the pace) brainstorm, that's more acid pantomime than rock and roll.

After all, who else would have the nerve to arrive on stage amid swirling electronic storms bedecked in human bones, trumpets, black cloak and the Helmet of Annwn? I hardly had time to stop laughing before the band (an unlikely looking bunch of Stonehenge types) launched into a super-fast psyche thrash, taking in their own demented compositionssuch as'Forbidden Planetl and 'Space Invaders', as well as a nod to the '60s with a wild version of'The Crusher' (featuring on-stage grappling with an unfortunate member of the audience) and a doubtlessly heartfelt 'I Wanna Come Back (From The World or LSD)'.

Despite a dry, half-empty venue such weirdness was eagerly lapped up by the appreciative crowd of hippies, skins and sundry leathercoated minds, all attracted by the smell of a genuine psychedelic experience. At an ICU concert only one thing is certain: this band will never grace the stage on Top Of The Pops.

IAIN SMITH


The Lounge Hall (Liverpool? Manchester?) (From the student rag..)

I managed to miss the support act, some Bob Dylan soundalike, so maybe it was just as well.

Inner City Unit are fronted by vocalist/saxophonist Nik Turner, last seen getting high with Hawkwind. Due to the Silver Machine-ers being a generally abysmal group, my hopes were not set high as the band staggered on. But golly gumdrops, it turned out to be a most enjoyable night.

Old Nik entered stage right attired like his namesake, and wearing a mask in a futile attempt to conceal his quite awesome ugliness. Maybe the fumes from the joints being openly rolled got to me, but as soon as Nik started on his saxophone, I was hooked. The man couldn't sing for his magic mushroom soup supper but this didn't matter since his voice and the hippy-dippy, space nonsense lyrics he used were completely lost somewhere in the sound mix.

It's hard to describe their music. Someone offered up Gothicpunk but that smacks of The Damned and I.C.U. were a good band, so that won't do. Loud, harsh and aggressive yet very comic, they played for an exhausting two hours and included a frenzied version of Glenn Miller's "In the Mood". Paul Robinson


INNER CITY UNIT PUNKADELIC

(Flicknife SHARP 103) ****1/2 (Yup! 1/2 from perfect!)

INNER CITY UNIT are a weird and wonderful lot, and this a weird and wonderful record Any band who can combine murderous disco rhythms thumping heavy metal riffs punky noise and psychedeic buzzes into a collection as varied and povierful as this deserve to be number one.

'Punkadelic' is a collection of songs recorded at varrocis stages of lnner City Unit's career; this may have something to do with the diversity of styles on show, although their live repertoire is pretry varied as well. I've ahuays believed diversity To be a good thing, and as every track on this album is a winner in it`s own right I`m delighted.

But be warred. If you like your records staid, stylistically predictable and planned out computer fashion, you`ll probably find "Punkadelic" really annoying. If you want categories, there's two mickey-taking disco tracks. two punky ones. a few weird psychedelic efforts and the occasional hunky heavy metal offering.

Personal favorites in a great bunch are the Hawkviind-ish "Watching The Grass Grow, The heavy thump of 'Cars Eat With Autoface, the vocal duet on 'Bildeborg' and, above all; the punchy and punky 'Blue Rinse Haggard Robot'. This is a song about a certain female politician dear to all our hearts and features the line "Little Girls Are Pretty; robot, you're not -- you're a cunt!" An articulate political critique if ever I heard one...

John Opposition -Sounds 28-8-82


THE PRESIDENT'S TAPES

Flicknife

SOMETHING of an acquired taste, this one. If you've already been exposed to ICU's eccentric variation on a theme of Psycho-d'elia, chances are you'll like this thing. Otherwise ... well, as I said, it's an acquired taste.

Led, as ever, by the indefatigable Nik Turner, ICU operate within the sort of areas no other band would dream of visiting, writing the songs no other band would dare to write. "World Of LSD", for instance, is a lengthy paean to the joys of getting completely obliterated through sundry chemicals - which isn't a particularly good example to set for our impressionable Pop Kids, but there again, how many impressionable Pop Kids would be listening to it anyway?

ICU defined their audience long ago, any new converts stray into the camp purely through the auspices of Turner's occasional appearances back with the mothership, Hawkwind. That even that band of renegades offer up precious few clues as to the true nature of ICU only emphasises just how left of centre Turner's own ideas are.

He is, first and foremost, a brilliant satirist even "World Of LSD" stands guilty of not taking itself seriously. hence the band's lifting of their own "Space Invaders" riff for part of the song. Think about it drug abuse might be this year's evil scourge, but it's not that long ago that amusement arcades were being similarly condemned.

Other songs ... "Fungus Amongst Us" is one of ICU's crazed appioximations of rockabilly, "Zodiac" is a bastardised second cousin to some great surfing instrumental, while the title track is a staccato outburst of discordant sax, Indian war-whoops and a chorus of "California dreaming again ... watching the end of the world". These songs, like the band who created them, are oddballs and, as such, should be cherished.

DAVE THOMPSON - Melody Maker


THE PRESIDENT'S TAPES

(Flicknife Sharp 03 1)**** (four stars.. that's one short of 5 ..which is tops!)

The last time I saw Nik Turner was at the Stonehenge non-festival this summer. Just settling into my first hour's sleep for a couple of days, I was disturbed by someone treading heavily on my leg. I mustered up the energy to raise an eyelid, to be greeted by Mr Turner's features leering at me through the gloom.

"'Ere," he inquired. "Do you know where I put my saxophone?"

Well, I'm glad he found it, or he may not have come up with such a wiggy-brilliant album as this.

Nik and the rest of ICU have cut their punk muscle and deranged anarcho-frills into a meaty, tempting sandwich, a psyche-rock epic Motorhead and Husker Du boiled in a pot of mushroom tea.

However, while they're still crawling through 'The World Of LSD' or asking 'Stonehenge: Who Knows?', it's certainly no go on the breaking new barriers front, but I shouldn't think they care. Neither do I.

"Sounds like Jethro Tull," wisecracks my business colleague and light of my life. It doesn't, believe me.

Neil Perry - Sounds